Their immediately identifiable sound - the cavernous production, the torrents of monsooning guitars, the heart-stopping rasp and disarmingly sensual croon of frontman Chino Moreno - has yet to rust, and is still echoed by any alt-metal outfit as concerned with the splendor of dream-pop soundscapes as the violence of thrashing, as interested in f**king as f**king s**t up.
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Vaulting to national prominence on the aqueous assault of classic turn-of-the-century LPs Around the Fur (1997) and White Pony (2000), the group became a factor on MTV and radio via sublime and subsuming singles like “My Own Summer (Shove It)” and “Change (In the House of Flies).” But for too much of their prime, the band was dogged by the dreaded tag of “nu-metal” - a genre they helped spawn with their guitar-squall intensity and hip-hop rawness, but were too musically and emotionally diverse to truly belong to.ĭespite unfortunate scene associations, a post-breakout malaise that nearly consumed the band, and the tragic death of co-founding bassist Chi Cheng in 2013 from a car accident five years earlier, the group has endured as one of the most consistently enthralling hard-rock bands of the past 25 years. The most popular metal band ever birthed from California’s state capital, Deftones have been capturing the attention and subverting the expectations of metal fans for more than two decades.
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